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Ballet Dancer Home
Foreword
Introduction
I. Ballet and Physique
1. The Body2. Proportions
3. Limbs
4. Knock-Knees
5. Bow-Legs
6. Knees
7. Feet
8. Feet #2
9. Posture
10. Flexibility
11. Questions
12. Physique
II. Injuries: Prevention and Cure
1. Comments2. Feet
3. Knees
4. Thigh
5. Hip & Back
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I. BALLET AND PHYSIQUE
Chapter 12. Dancers’ Physique
The following photographs have been chosen as all corresponding to the criteria already submitted, and yet as illustrating both similarity and diversity in physique. It is the diversity rather than the similarity that gives each dancer her distinctive appeal. Note for example the warm emotional quality of Baronova as opposed to the athletic strength of Maria Tallchief; Mary Ellen Moylan, petite and elegant; the sharply defined steel-like lines of Melissa Hayden; tall statuesque Beriosova, and Moira Shearer, lithe and gay; Markova, whose ethereal quality derives from her lightly built body and above all Mai got Fonteyn (frontispiece) giving in La Peri, the effect of an oriental vase, beautifully, delicately balanced, the artistic perfection of technique and physique.
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Alicia Markova and Milorad Miskovitch |
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Irina Baronova |
Mary Ellen Moylan Walter W. Owen |
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Maria Talichief Walter W. Owen |
Melissa Haydkn |
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Tamara Toumanova |
Svetlana Beriosova |
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Janine Charrat |
Brian Shaw |
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Moira Shearer |
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David Blair |
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